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Frankenstein: Or, The Modern Prometheus by Mary Shelley

The novel Frankenstein: Or, the Modern Prometheus was first published in 1818. The author, Mary Shelley, explores what happens when a man believes he can use science to build and create a superior form of life. Below, you can read two excerpts from the novel.
A black and white photo of Frankenstein from a movie, pink flowers on top.
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About the novel

The novel was written during the Romantic period. It stands out as a good example of Gothic literature. Typical features of the genre are found in the novel – stormy weather, a supernatural element, violent death, horror, and passionate love.

The Frankenstein story is one of the most famous in all of literature. People who have never heard of Mary Shelley or read a word of her writing are nevertheless familiar with her creation. The novel has inspired countless versions and imitations since its publication, and there are many film adaptations. The film version that is considered to be closest to the original text is Mary Shelley's Frankenstein from 1994, directed by Kenneth Branagh.

The novel's main character is Victor Frankenstein, a young man who is studying the natural sciences. His beloved mother has died of scarlet fever, and he becomes obsessed with the nature of life and death.

Illustration of the human body. We see three human figures. They are transparent so that we can see veins and organs in different colours.
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The novel can be read on many levels; today, most people will associate it with a classic horror story. However, its full title, Frankenstein; or, The Modern Prometheus, suggests that there is more to it than just a horror story and morbid entertainment. According to Greek mythology, Prometheus was punished by Zeus for stealing fire from the gods and giving it to man. Zeus had him chained to a mountain where vultures would come and peck at his liver. His liver was renewed every day, so Prometheus was facing a never-ending punishment. On that background the story of Frankenstein can be read as an allegory; that is, as a narrative with a symbolic meaning, where the characters are personifications of more abstract ideas such as, in this case, human ambition and wayward self-righteousness.

Photo of a ghastly face full of scars, uneven white teeth, raggedy black hair.
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Excerpt from chapter five

In this chapter, Victor Frankenstein has succeeded in his endeavour, but the result is far from what he dreamed of. You can listen to the excerpt or read it yourself.

Frankenstein, excerpt from chapter five

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It was on a dreary night of November, that I beheld the accomplishment of my toils. With an anxiety that almost amounted to agony, I collected the instruments of life around me, that I might infuse a spark of being into the lifeless thing that lay at my feet. It was already one in the morning; the rain pattered dismally against the panes, and my candle was nearly burnt out, when, by the glimmer of the half-extinguished light, I saw the dull yellow eye of the creature open; it breathed hard, and a convulsive motion agitated its limbs.

How can I describe my emotions at this catastrophe, or how delineate the wretch whom with such infinite pains and care I had endeavoured to form? His limbs were in proportion, and I had selected his features as beautiful. Beautiful! — Great God! His yellow skin scarcely covered the work of muscles and arteries beneath; his hair was of a lustrous black, and flowing; his teeth of a pearly whiteness; but these luxuriances only formed a more horrid contrast with his watery eyes, that seemed almost of the same colour as the dun white sockets in which they were set, his shrivelled complexion and straight black lips.

The different accidents of life are not so changeable as the feelings of human nature. I had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body. For this I had deprived myself of rest and health. I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart. Unable to endure the aspect of the being I had created, I rushed out of the room, and continued a long time traversing my bedchamber, unable to compose my mind to sleep. At length lassitude succeeded to the tumult I had before endured; and I threw myself on the bed in my clothes, endeavouring to seek a few moments of forgetfulness. But it was in vain: I slept, indeed, but I was disturbed by the wildest dreams. I thought I saw Elizabeth, in the bloom of health, walking in the streets of Ingolstadt. Delighted and surprised, I embraced her; but as I imprinted the first kiss on her lips, they became livid with the hue of death; her features appeared to change, and I thought that I held the corpse of my dead mother in my arms; a shroud enveloped her form, and I saw the grave-worms crawling in the folds of the flannel.

I started from my sleep with horror; a cold dew covered my forehead, my teeth chattered, and every limb became convulsed: when, by the dim and yellow light of the moon, as it forced its way through the window shutters, I beheld the wretch—the miserable monster whom I had created. He held up the curtain of the bed; and his eyes, if eyes they may be called, were fixed on me. His jaws opened, and he muttered some inarticulate sounds, while a grin wrinkled his cheeks. He might have spoken, but I did not hear; one hand was stretched out, seemingly to detain me, but I escaped, and rushed downstairs. I took refuge in the courtyard belonging to the house which I inhabited; where I remained during the rest of the night, walking up and down in the greatest agitation, listening attentively, catching and fearing each sound as if it were to announce the approach of the demoniacal corpse to which I had so miserably given life.

Oh! no mortal could support the horror of that countenance. A mummy again endued with animation could not be so hideous as that wretch. I had gazed on him while unfinished; he was ugly then; but when those muscles and joints were rendered capable of motion, it became a thing such as even Dante could not have conceived.

I passed the night wretchedly. Sometimes my pulse beat so quickly and hardly, that I felt the palpitation of every artery; at others, I nearly sank to the ground through languor and extreme weakness. Mingled with this horror, I felt the bitterness of disappointment; dreams that had been my food and pleasant rest for so long a space were now become a hell to me; and the change was so rapid, the overthrow so complete!

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Comprehension questions:
  1. Victor Frankenstein is successful at creating life: How does he react after it is clear that he has accomplished what he set out to do?

  2. What does the creature Frankenstein has created look like?

  3. Why do you think Victor Frankenstein reacted the way he did?

A painting of two women, one young, one old, are standing by a garden gate. There is an old, thatched cottage with hedges around it. There are also flowers seen in the cottage garden.
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Excerpt from chapter thirteen

In this chapter, the creature tells Victor Frankenstein about his life since he ran from the laboratory. The monster escaped from the city and hid in the mountains, where it began to reflect upon its own existence. He observed a peasant family, and by listening to the peasant woman teaching an Arab woman the language, the monster gradually learned to speak.

You can listen to the excerpt while you read.

Frankenstein, excerpt from chapter thirteen

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I now hasten to the more moving part of my story. I shall relate events that impressed me with feelings which, from what I had been, have made me what I am.

Spring advanced rapidly; the weather became fine, and the skies cloudless. It surprised me that what before was desert and gloomy should now bloom with the most beautiful flowers and verdure. My senses were gratified and refreshed by a thousand scents of delight, and a thousand sights of beauty.
It was on one of these days, when my cottagers periodically rested from labour--the old man played on his guitar, and the children listened to him--that I observed the countenance of Felix was melancholy beyond expression; he sighed frequently; and once his father paused in his music, and I conjectured by his manner that he inquired the cause of his son's sorrow. Felix replied in a cheerful accent, and the old man was recommencing his music when some one tapped at the door.

It was a lady on horseback, accompanied by a countryman as a guide. The lady was dressed in a dark suit, and covered with a thick black veil. Agatha asked a question; to which the stranger only replied by pronouncing, in a sweet accent, the name of Felix. Her voice was musical, but unlike that of either of my friends. On hearing this word, Felix came up hastily to the lady; who, when she saw him, threw up her veil, and I beheld a countenance of angelic beauty and expression. Her hair of a shining raven black, and curiously braided; her eyes were dark, but gentle, although animated; her features of a regular proportion, and her complexion wondrously fair, each cheek tinged with a lovely pink.

Felix seemed ravished with delight when he saw her, every trait of sorrow vanished from his face, and it instantly expressed a degree of ecstatic joy, of which I could hardly have believed it capable; his eyes sparkled as his cheek flushed with pleasure; and at that moment I thought him as beautiful as the stranger. She appeared affected by different feelings; wiping a few tears from her lovely eyes, she held out her hand to Felix, who kissed it rapturously, and called her, as well as I could distinguish, his sweet Arabian. She did not appear to understand him, but smiled. He assisted her to dismount, and dismissing her guide, conducted her into the cottage. Some conversation took place between him and his father; and the young stranger knelt at the old man's feet, and would have kissed his hand, but he raised her, and embraced her affectionately.

I soon perceived that, although the stranger uttered articulate sounds, and appeared to have a language of her own, she was neither understood by, nor herself understood, the cottagers. They made many signs which I did not comprehend; but I saw that her presence diffused gladness through the cottage, dispelling their sorrow as the sun dissipates the morning mists. Felix seemed peculiarly happy, and with smiles of delight welcomed his Arabian. Agatha, the ever-gentle Agatha, kissed the hands of the lovely stranger; and, pointing to her brother, made signs which appeared to me to mean that he had been sorrowful until she came. Some hours passed thus, while they, by their countenances, expressed joy, the cause of which I did not comprehend. Presently I found, by the frequent recurrence of some sound which the stranger repeated after them, that she was endeavouring to learn their language; and the idea instantly occurred to me that I should make use of the same instructions to the same end. The stranger learned about twenty words at the first lesson, most of them, indeed, were those which I had before understood, but I profited by the others.

As night came on, Agatha and the Arabian retired early. When they separated, Felix kissed the hand of the stranger, and said, `Good night, sweet Safie.' He sat up much longer, conversing with his father; and, by the frequent repetition of her name, I conjectured that their lovely guest was the subject of their conversation. I ardently desired to understand them, and bent every faculty towards that purpose, but found it utterly impossible.
The next morning Felix went out to his work; and, after the usual occupations of Agatha were finished, the Arabian sat at the feet of the old man, and, taking his guitar, played some airs so entrancingly beautiful that they at once drew tears of sorrow and delight from my eyes. She sang, and her voice flowed in a rich cadence, swelling or dying away, like a nightingale of the woods.

When she had finished, she gave the guitar to Agatha, who at first declined it. She played a simple air, and her voice accompanied it in sweet accents, but unlike the wondrous strain of the stranger. The old man appeared enraptured, and said some words, which Agatha endeavoured to explain to Safie, and by which he appeared to wish to express that she bestowed on him the greatest delight by her music.

"The days now passed as peaceably as before, with the sole alteration that joy had taken place of sadness in the countenances of my friends. Safie was always gay and happy; she and I improved rapidly in the knowledge of language, so that in two months I began to comprehend most of the words uttered by my protectors.

In the meanwhile also the black ground was covered with herbage, and the green banks interspersed with innumerable flowers, sweet to the scent and the eyes, stars of pale radiance among the moonlight woods; the sun became warmer, the nights clear and balmy; and my nocturnal rambles were an extreme pleasure to me, although they were considerably shortened by the late setting and early rising of the sun; for I never ventured abroad during daylight, fearful of meeting with the same treatment I had formerly endured in the first village which I entered.

My days were spent in close attention, that I might more speedily master the language; and I may boast that I improved more rapidly than the Arabian, who understood very little, and conversed in broken accents, whilst I comprehended and could imitate almost every word that was spoken. "While I improved in speech, I also learned the science of letters, as it was taught to the stranger; and this opened before me a wide field for wonder and delight.
The book from which Felix instructed Safie was Volney's "Ruins of Empires". I should not have understood the purport of this book, had not Felix, in reading it, given very minute explanations. He had chosen this work, he said, because the declamatory style was framed in imitation of the eastern authors. Through this work I obtained a cursory knowledge of history, and a view of the several empires at present existing in the world; it gave me an insight into the manners, governments, and religions of the different nations of the earth. I heard of the slothful Asiatics; of the stupendous genius and mental activity of the Grecians; of the wars and wonderful virtue of the early Romans--of their subsequent degenerating--of the decline of that mighty empire; of chivalry, Christianity, and kings. I heard of the discovery of the American hemisphere, and wept with Safie over the hapless fate of its original inhabitants.

These wonderful narrations inspired me with strange feelings. Was man, indeed, at once so powerful, so virtuous and magnificent, yet so vicious and base? He appeared at one time a mere scion of the evil principle, and at another as all that can be conceived of noble and godlike. To be a great and virtuous man appeared the highest honour that can befall a sensitive being; to be base and vicious, as many on record have been, appeared the lowest degradation, a condition more abject than that of the blind mole or harmless worm. For a long time I could not conceive how one man could go forth to murder his fellow, or even why there were laws and governments; but when I heard details of vice and bloodshed, my wonder ceased, and I turned away with disgust and loathing.

Every conversation of the cottagers now opened new wonders to me. While I listened to the instructions which Felix bestowed upon the Arabian, the strange system of human society was explained to me. I heard of the division of property, of immense wealth and squalid poverty; of rank, descent, and noble blood.

The words induced me to turn towards myself. I learned that the possessions most esteemed by your fellow-creatures were high and unsullied descent united with riches. A man might be respected with only one of these advantages; but, without either, he was considered, except in very rare instances, as a vagabond and a slave, doomed to waste his powers for the profits of the chosen few! And what was I? Of my creation and creator I was absolutely ignorant; but I knew that I possessed no money, no friends, no kind of property. I was, besides, endued with a figure hideously deformed and loathsome; I was not even of the same nature as man. I was more agile than they, and could subsist upon coarser diet; I bore the extremes of heat and cold with less injury to my frame; my stature far exceeded theirs. When I looked around, I saw and heard of none like me. Was I then a monster, a blot upon the earth, from which all men fled, and whom all men disowned?
I cannot describe to you the agony that these reflections inflicted upon me: I tried to dispel them, but sorrow only increased with knowledge. Oh, that I had for ever remained in my native wood, nor known nor felt beyond the sensations of hunger, thirst, and heat!

Of what a strange nature is knowledge! It clings to the mind, when it has once seized on it, like a lichen on the rock. I wished sometimes to shake off all thought and feeling; but I learned that there was but one means to overcome the sensation of pain, and that was death--a state which I feared yet did not understand. I admired virtue and good feelings, and loved the gentle manners and amiable qualities of my cottagers; but I was shut out from intercourse with them, except through means which I obtained by stealth, when I was unseen and unknown, and which rather increased than satisfied the desire I had of becoming one among my fellows. The gentle words of Agatha, and the animated smiles of the charming Arabian, were not for me. The mild exhortations of the old man, and the lively conversation of the loved Felix, were not for me. Miserable, unhappy wretch!
(...)

Comprehension questions:
  1. Felix, Agatha, and Safie are mentioned in the extract: Who are they, and what is their relation to each other?

  2. The extract tells us that Frankenstein's creature learns to understand English, and he learns to read. How does he learn? How do these lessons affect him?

  3. What impression does this extract give you of the creature's character?

Further reading

If you enjoyed the excerpts and would like to read the novel in full, you can find it for free on Project Gutenberg's webpage: Link to Project Gutenberg's webpage, where you can read Mary Shelley's Frankenstein

Relatert innhold

Film about the life of Mary Shelley leading up to writing the novel Frankenstein.

CC BY-SASkrevet av Tone Hesjedal.
Sist faglig oppdatert 19.08.2021

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Excerpts